Munchen: Galerie Berndt Kluser, 1987. Tall stiff paperback in even thicker glossy DJ , Very good Condition - nick-dent to upper spine / 83 pages / German and English text by Katharina Hegewisch, Achile Bonito Oliva, W.I. Lenin, Andy Warhol. Uncommon.

Bard College/CCS, 2007. ISBN: 1931493553/ Fine in flexible boards, 335 pages. Edited by Rhea Anastas with Michael Brenson. heavily illustrated.

ecstatic peace library / 2009 / signed by Thurston Moore & with the name-stamp of the late publisher Barney Rosset / one of 100 copies published on the occasion of the Brooklyn Book Festival, 2009 / Scarce

Edited by Dan Nadel

Paperback, 140 pages, ISBN 978069276948, Signed by thE Author

My Vibe is New York–based poet and writer Jeremy Sigler’s collection of diaristic tales by an only partly sympathetic struggling poet who flirts with—and often fails at—creating romance and playful distractions in his otherwise boring life. The tales are self-deprecating, awkward, nostalgic and at times perverse, but they retain warmth, honesty, whimsy, charm and are often wickedly funny. “I love pseudoscience. I love it. Next time I read my work in public, I’m gonna cut out big cardboard letters and paint them red. I’m gonna prop them up behind me: T-E-D. Pseudoscientists get all the fans. They get all the love letters. For their viral youtubes of levitating beer cans. The Pseudos get all the attention. They go viral. Unlike poets.”

Jeremy’s voice is one you can’t deny; it’s crisp, clever and sometimes creepy. It’s like finding someone’s old journals, their identity revealed bit by bit, confession by confession. – Abbi Jacobson, Broad City

"ALL BOOKS OF TADANORI YOKOO - THE COMPLETE WRITINGS

No place stated, no date (at least in English) - Bilingual text. The title of this comic book sized format with glossy pages is a bit of a misnomer. As the essay at rear states: this item "includes only publications written, edited, planned or overseen by Yokoo himself, either as the sole author or with co-authors or editors..." In other words it is a list of Yokoo ublications to date, not a collection of actual writings. With four books per page and descriptive texts in Japanese and English. This item does not appear on Yokoo's website or anywhere else we can find on the net. The likely publication date is the early 2000's. Someone chewed up along the spine, the front and rear covers are on their way to detaching.Some rubbing to covers. Additional photos upon request. 44 pages. Extremely rare.

Museum Ludwig, Koln / 1989

Very good in white pictorial stiff wrappers, some sunning to spine and mild rubbing to cover's edges. 151 pages.

SECOND-HAND / SIGNED /
Number 104 of 300 copies / The Vinyl Factory, 2013.

Beautifully illustrated very good large 8vo softcover, 92 pages. "This catalogue documents 45 singles from the Mott Collection for sale at the Vinyl Factory Chelsea on the occasion of the commercial exhibition "David Bowie Nacht Musik 6 February - 3 March 2013." SIGNED by Toby Mott. Some wear to thick glossy DJ, vinyl VG in sleeve. This copy also has a gift inscription in ink on title page. Scarce in U.S. Additional photos available upon request.

FULTON RYDER, 2014

Softcover / Trade edition limited to 500 copies / 9 x 12 inches / This copy has very minor edge-wear and some rubbing to rear cover. ISBN 978-0-9915723-4-2. Unsigned. Increasingly uncommon.

SIGNED First Edition AKA Editions, New York and London. 2003. 496 pages, stiff wraps.

The classic. This copy is SIGNED in green ink and numbered 579, at rear. Includes folded poster.

DIRECTOR'S FORTNIGHT CANNES 2000 / LA QUINZAINE DES REALISATEURS CANNES 2000. New York Beat Films.

DVD, 8 x 10 Promotional photo of Basquiat at work& 8 page stapled Press Release thick transparent vinyl folder. Made for the Cannes premiere of this film originally shot in 1981. Extremely rare Basquiatiana.

45 RPM , TT- 001 Tartown Record Company, undated (2001?) re-pressing.

Vinyl in mint condition while sleeve has minor edge-wear and a few creases. While we believe this to be the 2001 re-pressing, there was also an undated repressing that states that the recod actually plays at 33 RMP even though label states 45. Only your turntable will know.

Two pieces of Art History ephemera - Pat Hearn

Mailing card: EMERGENCY ART SALE TO BENEFIT PAT HEARN - at Pat Hearn Gallery, New York [1999?]. Photo on one side copyright Andy Warhol Foundation 1997. Side two contains Benefit information and bears printed address stamp of a well-known art historian.
Six-sided Memorial Service announcement: on card-stock and list of tributes and performances printed on acetate laid in. Listed on card are Pat Hearn Gallery exhibitions 1983 through 2000. Another face shows photographic portraits of the dealer in grid format.

Exhibition catalogue/staple-bound/Pat Hearn Gallery 1987

Published on the occasion of an exhibition of new paintings by Philip Taaffe at the Pat Hearn Gallery, with Excerpts from a Dialogue Made During Collaboration Recorded in Lawrence, Kansas, On 1 February 1987. Edited by Diego Cortex and James Grauerholz. 10 pages, black and white images

David Zwirner Gallery, 2000.

Boxed set of 10 compact discs ( 5 Past, 5 Future.) 74 minutes each disc. Edition # 32 of 250.
One Million Years (Future 2), 2614 AD - 3263 AD One Million Years (Future 3), 3264 AD - 3849 AD One Million Years (Future 4), 3850 AD - 4369 AD One Million Years (Future 5), 4370 AD - 4923 AD One Million Years (Future 6), 4924 AD - 5565 AD One Million Years (Past 2), 997 399 BC – 996 950 BC One Million Years (Past 3), 996 949 BC – 996 436 BC One Million Years (Past 4), 996 435 BC – 995 922 BC One Million Years (Past 5), 995 921 BC – 995 490 BC One Million Years (Past 6), 995 489 BC – 994 993 BC.

Recordings of the years followed the books: "One Million Years includes One Million Years: Past (subtitled “For all those who have lived and died”) and One Million Years: Future (subtitled “For the last one”). The former represents one million years stretching backward from the year Kawara made the set. The latter stretches forward one million years. These pages fill ten leather binders; each binder holds two hundred pages, and each page contains five hundred years. To make the calendars, Kawara developed a cut-and-paste technique, gluing columns of single digits to typed and photocopied grids of numbers so that, for instance, 500 to 1 BC easily became 1500 to 1001 BC. He then photocopied the whole page to conceal the glued areas and placed the pages in transparent plastic sleeves."

New / oblong pictorial wrappers / Milwaukee: Lydon Sculpture Garden / 2015

Published on the occasion of Dan Torop: Frozen Period, June-Sept 2014. Texts by the artist as well as Nicholas Frank, Meriwether Lewis and Polly Morris, with all images by the photographer.

Poster/Gagosian Gallery 2002

7" x 37" / from an exhibition in May-June 2002 at Gagosian Beverly Hills/ Depicted is a detail of "African Masks", 1984-85, 84" x 420" / Poster rolled in plastic mailer tube to which is affixed the mailing address of a well known art historian. Images depict four consecutive photos of the image.

New York, Seth Siegelaub / 1969

First edition/ stapled wrappers / 27.6x21.2cms, text in English, French and German / Black and white ills., 32 pp. Very Good Condition.

Primary Information / 2017 / Edition of 1000 copies / An eponymous collection featuring ten performance transcripts from the conceptual band, Title TK whose members Cory Arcangel, Howie Chen, and Alan Licht engage in unscripted conversations about music, the music industry, and popular culture.

Something Else Press / 1969 / Cloth in dust-jacket / Signed & Inscribed copy / White DJ somewhat soiled with a few chips and creases and 2 inch closed tear /

This copy is warmly inscribed to fellow Black Mountaineer Irwin Kremen, to whom Cage also "dedicated the score of 4'33" in proportional notation, as later he also did the Tacet versions of 4'33", the published editions of the so-called silent piece".

Headbangers Publishing / Pedro Winter / 2016 / 28 x 28 cm / 516 pages / softcover

Text by Iggor Cavalera / Limited to 500 copies / Patches worn by fans of metal and underground cultures

Staple-bound softcover. Larry Fagin, ed., 1969. Contributions from Ted Berrigan, John Giorno, Lewis Warsh and others. Cover by Ed Ruscha. Separate illustration for Elmslie poem by Joe Brainard. Some abrasions to cover especially around one of the two staples.

Square 8vo softcover published by Walther König, Köln / John Weber, New York / Edizione Mario Pieroni, Roma 1990. Photographed by Carol Huebner using nine light sources and all their combinations.

Marcia Tucker & James Monte / Whitney Museum of American Art, 1969. Softcover / Very good Condition.
Carl Andre, Michael Asher, Lynda Benglis, William Bollinger, John Duff, Rafael Ferrer, Robert Fiore, Philip glass, Eva Hesse, Neil Jenney, Barry Le Va, Robert Lobe, Robert Morris, Bruce Nauman, Steve Reich, Robert Rohm, Robert Ryman, Richard Serra, Joel Shapiro, Michael Snow, Keith Sonnier, Richard Tuttle.

New York: Mode Records, 2016. Hardcover, 224 pages, English and German text. Includes audio DVD with complete, original "radio Happenings" programs - five hours of Cage & Feldman's conversations commercially available for the first time in digitally remastered sound from original analog tapes.

ED. PAOLO COSTANTINI / CCA/ELECTA / 1996 / ISBN 884355736x

VG in pictorial french wraps. 8vo oblong. Text in English, French and Italian. Color ills. Scarce volume on the Italian photographer and architect. Light shelf wear and faint soiling to slightly yellowed wraps. No tears or creases. Interior clean.

NEW HARDCOVER

2nd Edition, Mint condition in original shrink-wrap. Steidl, 2004, 275 x 285 mm (10 3/4 x 11 in), 118 pages. Essays by Patricia Hampl and Anne Wilkes Tucker. English text.

Paperback.

Edited by Joshua Decter & John Miller. With Bourriaud, Decter, Gilbert-Rolphe, Hapgood, Mashek, Miller, Morgan, Nesbitt, Pagel, Scheldahl, Storr, Westfall and others.105 pages. Crease to rear cover.

PAPERBACK.

Contains essays from symposium Sites of Criticism. 142 pages, minor edge-wear. Texts by Judith Barry, Fred Wilson, Gregg Bordowitz, Jan Avgikos, Joshua Decter, Paul Myoda, David Robbins and many others. Scarce.

NEW HARDCOVER

Farrar, Straus and Giroux / 2016 / 384 pages / ISBN 0374151326
(See also, the simultaneous publication: SERIOUS BIDNESS: THE LETTERS OF RICHARD BELLAMY)

A man with a preternatural ability to find emerging artists, Richard Bellamy was one of the first advocates of pop art, minimalism, and conceptual art. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, the witty, poetry-loving art lover became a legend of the avant-garde, showing the work of artists such as Mark di Suvero, Claes Oldenburg, James Rosenquist, Donald Judd, and others.

Based on decades of research and hundreds of interviews with artists, friends, dealers, and lovers, Judith Stein's Eye of the Sixties recovers the elusive Bellamy and tells the story of a counterculture that became the mainstream.

NEW HARDCOVER

Edited and with an introduction by Miles Bellamy.

Brooklyn, NY: Near Fine Press; Printed by Small Editions, Red Hook. 72 pages, cloth. ISBN 978-0-692-51867-0. Two facsimiles, three photographic illustrations.

This selection of twenty-two letters written by the renowned art dealer Richard Bellamy (1927-1998) highlights his great sensitivity to the needs of the artists he represented, his special brand of humor and his literary predilections. The letters cover the year 1965, when he closed the Green Gallery — a showcase for many who would become the most important artist of the second half of the 20th century — to the last weeks of his life in 1998.

Included are letters to art collectors and patrons such as Virginia Wright, Vera List and A. Alfred Taubman, and letters concerning the artists Mark di Suvero, Walter De Maria and Yayoi Kusama, among others. There are also four letters written to his son, Miles Bellamy which draw a kind of narrative of their relationship. Miles Bellamy’s introduction and notes expound on that relationship and describe the contexts in which all the letters were written. Appended to the main text are Richard Bellamy’s essay on the painter Myron Stout, the only previously published writing by the dealer, as well as documentation of a posthumous reading of Bellamy’s letters at the New School in October, 1998.

This publication coincides with that of a major new biography, Judith E. Stein’s EYE OF THE SIXTIES: RICHARD BELLAMY AND THE TRANSFORMATION OF MODERN ART

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