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KILLING TECHNOLOGY
Our Price: $150.00

Pre-Order Now / Available in-store & on-line on 11 October 2016

First Edition, Signed by Heylin/ Paperback / 304 pages. Route Books, UK (Import)

‘Judas, the most hated name in human history! If you think you’ve been called a bad name, try to work your way out from under that. Yeah, and for what? For playing an electric guitar?’ – Bob Dylan

In 1966 There Was… the sell-out tour to end all tours. Bob Dylan and The Hawks found themselves at the epicenter of a storm of controversy. Their response? To unleash a cavalcade of ferocity from Melbourne to Manchester, from Forest Hills to the Free Trade Hall. For the first time, the full story can now be told from eye-witnesses galore; from timely reports, both mile wide and spot on; and from the participants themselves. And what better tour guide than Clinton Heylin, the esteemed Dylan biographer and one of the world’s leading rock historians. The price of admission? Thirty pieces of silver. The password? Play f***ing loud.




45 RPM , TT- 001 Tartown Record Company, undated (2001?) re-pressing.

Vinyl in mint condition while sleeve has minor edge-wear and a few creases. While we believe this to be the 2001 re-pressing, there was also an undated repressing that states that the recod actually plays at 33 RMP even though label states 45. Only your turntable will know.

Headbangers Publishing / Pedro Winter / 2016 / 28 x 28 cm / 516 pages / softcover

Text by Iggor Cavalera / Limited to 500 copies / Patches worn by fans of metal and underground cultures
MILES - Amiri Baraka
Our Price: $200.00

Caliban Press, 1995. Signed by Baraka. One of only 120 copies.

Contains the prose piece When Miles Split. Sewn, painted paper covers, rag paper, unpaginated. With woodcut by Guy Berard who also signs at rear. Barka's signature follows his six-page text. Fine condition. Scarce.

Something Else Press / 1969 / Cloth in dust-jacket / Signed & Inscribed copy / White DJ somewhat soiled with a few chips and creases and 2 inch closed tear /

This copy is warmly inscribed to fellow Black Mountaineer Irwin Kremen, to whom Cage also "dedicated the score of 4'33" in proportional notation, as later he also did the Tacet versions of 4'33", the published editions of the so-called
silent piece".