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IN PRAISE OF SHADOWS / JUNICHIRO TANIZAKI CUNT COLORING BOOK GIVE MY REGARDS TO EIGHTH STREET
CUNT COLORING BOOK
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Jun'ichiro Tanizaki Tee Corinne Morton Feldman
EYE OF THE SIXTIES: Richard Bellamy and the Transformation of Modern Art THE WILD CHILDREN OF WILLIAM BLAKE [SIGNED] MOYRA DAVEY: INDEX CARDS
MOYRA DAVEY: INDEX CARDS
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Judith Stein JOHN YAU Moyra Davey
ON PHOTOGRAPHY KUSAMA: THE GRAPHIC NOVEL A DICTIONARY OF COLOR COMBINATIONS vol. 2
ON PHOTOGRAPHY
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KUSAMA: THE GRAPHIC NOVEL
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Susan Sontag Elisa Macellari


Sanzo Wada
DICTIONARY OF COLOR COMBINATIONS THE OBSERVER EFFECT: On Contemporary Painting AMY SILLMAN: FAUX PAS. SELECTED WRITINGS AND DRAWINGS
Sanzo Wada Barry Schwabsky Amy Sillman
OBLIQUE DRAWING: A History of Anti-Perspective FUNNY WEATHER: Art In an Emergency GREAT DEMON KINGS: A Memoir of Poetry, Sex, Art, Death, and Enlightenment
Massimo Scolari Olivia Laing John Giorno
RICHARD SERRA: Conversations about Sculpture JACK WHITTEN: NOTES FROM THE WOODSHED MOYRA DAVEY:  I CONFESS
MOYRA DAVEY: I CONFESS
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Richard Serra / Hal Foster Jack Whitten / Edited by Katy Siegel Moyra Davey
THE ART OF THE FOLD: How to Make Innovative Books and Paper Structures HYBRID DUMPSTER 1997-2017 - JOHN BEECH [Signed Copy] WOMEN IN CONCRETE POETRY  1959-79
Hedi Kyle and Ulla Warchol John Beech Alex Balgiu / Monica de la Torre (Editor)

Softcover / Primary Information 2020 / 384 pages

A massive, groundbreaking, international anthology of concrete poetry by women, from Mira Schendel to Susan Howe.

This expansive volume is the first collection of concrete poetry by women, with artists and poets from the US, Latin America, Europe and Japan, whose work departs from more programmatic approaches to the genre. Their word-image compositions are unified by an experimental impetus and a radical questioning of the transparency of the word and its traditional arrangement on the page.


Owing, perhaps, to the fact that concrete poetry’s attempt to revolutionize poetry foregrounded the male-dominated channels in which it circulated, some of the women in this volume―Ilse Garnier or Giulia Niccolai, for instance―were active in the movement’s epicenters, yet failed to attain a visibility or ample representation in international anthologies such as Emmett Williams’s Anthology of Concrete Poetry (1967) and Mary Ellen Solt’s Concrete Poetry: A World View (1968).

This anthology celebrates their legacy and recontextualizes word-image compositions by other figures working independently. It gathers work by over 40 writers and artists, including Lenora de Barros (Brazil), Mirella Bentivoglio (Italy), Amanda Berenguer (Uruguay), Suzanne Bernard (France), Tomaso Binga (Italy), Blanca Calparsoro (Spain), Paula Claire (UK), Betty Danon (Turkey), Mirtha Dermisache (Argentina), Ilse Garnier (France), Anna Bella Geiger (Brazil), Bohumila Grögerová (Czech Republic), Ana Hatherly (Portugal), Susan Howe (USA), Tamara Jankovic (Serbia), Annalies Klophaus (Germany), Barbara Kozlowska (Poland), Liliana Landi (Italy), Liliane Lijn (USA), Françoise Mairey (France), Giulia Niccolai (Italy), Jennifer Pike (UK), Giovanna Sandri (Italy), Mira Schendel (Brazil), Chima Sunada (Japan), Mary Ellen Solt (USA), Salette Tavares (Portugal), Colleen Thibaudeau (Canada), Rosmarie Waldrop (USA) and Ruth Wolf-Rehfeldt (Germany).


SERIOUS BIDNESS: THE LETTERS OF RICHARD BELLAMY BROKEN MUSIC FEMINIST ART ACTIVISMS AND ARTIVISMS
BROKEN MUSIC
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Richard Bellamy Artists' Recordworks Katy Deepwell, ed.



Sensuous Thoughts: Essays on the Work of Donald Judd PHILIP GUSTON: COLLECTED WRITINGS, LECTURES, AND CONVERSATIONS THE 1964 GREEN GALLERY EXHIBITION
Richard Shiff Philip Guston DAN FLAVIN
BILL JENSEN: TRANSGRESSIONS [SIGNED] DONALD JUDD WRITINGS DONALD JUDD INTERVIEWS
DONALD JUDD WRITINGS
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DONALD JUDD INTERVIEWS
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Bill Jensen / David Levi-Strauss Donald Judd / Flavin Judd / Caitlin Murray Donald Judd / Caitlin Murray / Flavin Judd